Le Samouraï (1967) – « Il n’y a pas solitude plus profonde que celle du samouraï »

A hitman eliminates a club owner but is caught off guard by a pianist.

The minimalist yet impactful dialogue complements the film’s profoundly taciturn protagonist. Even a bullfinch's chirps in its cage outshine his sparse words. Despite its slow pace, this atypical piece emerges as a masterpiece. Alain Delon embodies a chillingly stoic and formidable assassin, exuding charisma and delivering a stellar performance. The film’s rainy, gray cinematography and the spartan décor of the hitman’s apartment amplify the protagonist’s sense of isolation.

Zorro (1975) – « Il est facile de tuer des agneaux. Voyons si vous êtes aussi fort contre un loup »

A nobleman transforms into Zorro to battle a tyrannical colonel and assist the underprivileged.

Yes, there was a French production of the masked hero featuring a fantastic Alain Delon. The quirky antics of Joaquim (formerly Bernardo), the comical blunders of the sergeant, and the playful stunts of the characters are delightfully amusing. The song *Zorro Is Back* is catchy and uplifting. In short, a light-hearted, entertaining swashbuckler.

L’Ours en peluche (1994) – « J’adore aller au cinéma. J’ai besoin de rêver »

Quand une fille de cet âge-là se donne la mort, c’est rarement parce qu’elle rit tout le temps

A professor receives anonymous phone calls accusing him of murder.

Despite its poor reputation, the film boasts undeniable strengths, starting with a commendable screenplay built on a straightforward yet effective premise. Alain Delon excels in his cold, detached role. However, his character seems particularly energetic, engaging in acrobatic liaisons at every opportunity, while the female characters are rather one-dimensional, epitomized by their love of carnal pursuits.