Métal Hurlant: Exploring the Horror Legacy of H.P. Lovecraft

In this new edition, the renowned magazine Métal Hurlant tackles another myth: horror writer H.P. Lovecraft. This issue stands out as one of the best since the magazine’s revival.

Guiding Readers Through Métal Hurlant’s Latest Masterpiece

As with every quarterly release, Métal Hurlant alternates between short comic stories and in-depth articles on cultural topics. These features introduce artists and new works to readers. Regulars like Jorg de Vos and Nikola Pisatev make their appearances, but the magazine remains a launchpad for emerging talent. While most contributors are francophone, this issue reflects a growing international presence with American creators Vincent Bonavoglia and Matthew Allison, as well as South American artist Salvador Sanz. However, the limited representation of women is a noticeable gap, particularly given that Les Humanoïdes Associés recently republished their feminist magazine alongside this edition.

True to form, this 12th issue showcases diverse visual styles, from Stéphane de Caneva’s moody realism to Elene Usdin’s soft autobiographical comics. Unlike the loose thematic focus of the previous "vacation" issue, this Lovecraft-centered edition feels tighter and more cohesive.

The Lovecraftian theme is explored through a variety of approaches, particularly in the comics. Some artists remain faithful to Lovecraft's universe, featuring dark, tentacled creatures and tragic endings. Others imagine new sequels to Lovecraft’s stories or recontextualize his work. For instance, Fred Vigneaux examines Lord Byron’s influence, while Salvador Sanz places a Lovecraftian apocalypse aboard a modern cruise ship. In a post-COVID world, one story explores a woman descending into madness over household chores. These narratives underscore the enduring relevance and emotional impact of Lovecraft’s work.

Some stories draw inspiration from specific lines in Lovecraft’s works, while others shift focus to the author himself. The most faithful homage, Ils sont arrivés, beautifully adapts a Lovecraft story into comic form by Valentin Ramon. Meanwhile, Mo/CDM delivers a humorous twist: what if Cthulhu were your neighbor?

Lovecraft isn’t the only influence in this issue. Junji Ito’s art style and Stephen King’s Shining are evident in some pieces, enriching the visual and thematic diversity.

A Horrific New Approach

Driven by the challenge of honoring a literary giant, the Métal Hurlant team breaks from tradition. Instead of cultural recommendations preceding each comic, the issue opens with a biographical overview of Lovecraft. This life story, interwoven throughout the issue, delves into the dark origins of his tales, touching on his father’s absence and institutionalization.

Prestigious contributors bring their unique perspectives. Matthieu Sapin shares his discovery of Lovecraft through role-playing games, Fred Vigneaux stuns with his classically precise illustrations, and José Luis Munuera crafts a romantic mountain tale with a shocking twist. Other artists, such as Juliette Pinoteau, reveal their personal connections to Lovecraft’s work.

Unlike previous issues, nearly every text ties directly to the central theme. The issue begins with an interview with a Lovecraft biographer, challenging the myth of the reclusive writer and addressing his troubling racism. Other highlights include an exploration of the iconic role-playing game Call of Cthulhu, reflections on the Lovecraft-inspired video game Alone in the Dark, and discussions of Metallica’s homage to Lovecraft in "The Call of Ktulu." The "Manifesto" section delves into Lovecraft’s poetic contributions to pop culture.

For its 12th issue, the Métal Hurlant team has outdone itself. By focusing on a central theme, the text and comics demonstrate the enduring richness and contemporary relevance of H.P. Lovecraft. The artists’ creativity bodes well for the upcoming 50th anniversary of the magazine’s publisher.